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Wednesday
Jan272010

Shanelle's New Music and Shows in NYC & Boston!

Happy Belated New Year!

Am I the only one still writing "09" on my dates? It's 2010! Welcome to the new year. 2009 was a diffcult year for many, but I believe it provided us with prospective and lessons so that we all can grow into who we're supposed to be. I've spent the last few weeks prepping & planning, and I know blessings are on their way to all of us!

Last week was filled with a lot of fundraisers for the crisis in Haiti. I encourage you all to text "Yele" to 501 501 to donate to Wyclef's Yele Organization. I've been working a lot with Liz Whitney (a friend and Yele representative) and Wyclef has been doing some amazing things (regardless of what the media tried to say). Help if you can!

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NEW SONG!

Before I ask you to go anywhere, I'm giving you a special gift...A NEW SONG. Till Monday night, you can download my new song "More Than One of a Kind" for FREE from www.shanellegabriel.com/music. Just click on the box. Feel free to share it with anyone you think would enjoy it. And if you like it, let me know!

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NYC & BOSTON SHOWS

  • Tomorrow, Thursday, Jan 28th, I'll be featuring along with Talaam Acey, Lamar Hill, Ainsley Burrows, and Amun Miraj
    Bowery Poetry Club (308 Bowery, New York, New York 10012). 7:30pm. $10
  • This Friday, I'll be featuring along side Caits Meissner, Kelly Zen-Yie Tsai,  and B. Yung at Mike Geffner’s Inspired Word Show. 21+ (MAKE SURE TO BRING ID)
    Le Poisson Rouge (158 Bleecker Street, New York, New York 10012). 7pm. $10

  • This Sunday in Boston! I'll be featuring for the first time at this dope venue. 21+ (MAKE SURE TO BRING ID)
    Lizard Lounge Poetry Jam (1667 Massachusetts Ave, Cambridge, MA 02138) 8:30pm


I have upcoming shows in NYC and South Florida. Hope to see you soon. Stay Blessed!

-Shanelle Gabriel

www.twitter.com/shanelleg

Tuesday
Jan262010

"Haiti is not our long-term responsibility. Detroit is." Article by David Gewirtz

This article by David Gewirtz raised some excellent points... I do believe we need to help Haiti, but we also cannot neglect our own soil which throughout the last few years as we have been "spreading democracy" has been growing worn. I always wonder when disaster strikes, when the war on terror breaks out, how money seems to pop out of nowhere. Hmm...anyways, read on.

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Haiti is not our long-term responsibility. Detroit is.

David Gewirtz | BIO
AC360° Contributor
Director, U.S. Strategic Perspective Institute

First, I'd like to send a good thought to all those suffering today in Haiti, and all their family members here in the United States.

No one can look at the horror of Haiti and not feel both a deep sense of sadness and a desire to help. It seems almost mean and selfish to suggest that we need to do something other than provide our full support to this devastated nation, but that's exactly what I'm about to do.

Over the next few weeks, there's going to be a crucial decision-making point when policy makers will have to decide whether to move from a perfectly valid emergency response policy to a potentially disastrous nation-building policy.

Since the 1960s, we have operated under President Kennedy's mandate of moral obligation:

"The answer is that there is no escaping our obligations: our moral obligations as a wise leader and good neighbor in the interdependent community of free nations - our economic obligations as the wealthiest people in a world of largely poor people, as a nation no longer dependent upon the loans from abroad that once helped us develop our own economy - and our political obligations as the single largest counter to the adversaries of freedom."

But times have changed since JFK was President and Dr. King gave his great speech challenging us to "let freedom ring" from the steps of the Lincoln Memorial.

Today, we're again dangerously in debt, this time to "adversaries of freedom" like China. Many of our own people are desperately hurting.

Foreclosures rose by 21 percent in 2009. Nearly half of all Americans owe more on their homes than they're actually worth. As we've all come to know, millions of Americans over-reached and bought homes they knew they couldn't afford. But Americans need to live somewhere and the lack of affordable housing (whether to rent or own) is a huge problem in America.

Millions more Americans will lose their homes in 2010. Our bridges and levees are crumbling and at least one out of every ten American adults is out of work.

After more than four years, there are still people who haven't been able to return home from the damage inflicted by Katrina. Cities like Detroit and Chicago have unemployment rates above 22% and thousands of abandoned homes due to the damage inflicted by bankers and the financial industry.

America needs to get its own house in order.

Before we decide it's our responsibility to rebuild all the lost homes in Haiti, let's remember that it's our actual responsibility to make sure our own people have roofs over their heads.

Haiti isn't our problem alone. China and Germany and other economically powerful countries also have a "good neighbor" responsibility to less fortunate nations like Haiti. In fact, Haiti's not really our problem at all.

Our "good neighbor" responsibility today is to our actual neighbors here in America, the mom in Milwaukee, the dad in Detroit, the grandparents in Grand Rapids, and the brothers and sisters in Baltimore and Cincinnati - not the huddled masses of Haiti, horrifying as their situation might be.

Sure, for a few weeks, it makes sense to send American forces into Haiti to help them recover from the initial shock of the crisis. But with two wars already stop-lossing our troops to the breaking point, we can't afford to adopt another country as a matter of national policy.

Until we can make sure that the kids in Kentucky can get medical care, or the millions of uninsured Americans can have access to the drugs they need to stay alive, we can't commit to sending a never-ending supply of free medicine to another country while at the same time blocking lower-cost medicine from entering the U.S. at our borders - with the blessing of the U.S. Congress - simply because Big Pharma wants to make an even greater profit.

In the past week, we've seen cabinet members and the First Lady ask Americans to give $10 to the Red Cross by texting "HAITI". Perhaps, instead, these leaders should ask, nay, demand that all those bankers who bungled billions and stole millions in bonuses directly from taxpayers, send some of it to Haiti. Or perhaps, even, to the newly homeless in Houston.

I hesitated to write this article because those in Haiti are in a world of hurt and they truly need our help. Unfortunately, American policy makers tend to make long-term strategic mistakes in the name of compassion and good PR. We're already stretching our resources too thin. Taking on yet another long-term responsibility for yet another nation may mean we have to abandon more Americans in more American cities.

Once we fix our own problems, then we can muck around in other nations, trying to prove we still have the chops to be a "wise leader and good neighbor". But until we can take care of our own, we have no right trying to fix the ills of the entire world.

Follow David on Twitter at @DavidGewirtz.

Editor’s note: David Gewirtz is Director of the U.S. Strategic Perspective Institute and Editor-in-Chief of the ZATZ magazines. He is a leading Presidential scholar specializing in White House email. He is a member of FBI InfraGard, the Cyberterrorism Advisor for the International Association for Counterterrorism & Security Professionals, a columnist for The Journal of Counterterrorism and Homeland Security, and has been a guest commentator for the Nieman Watchdog of the Nieman Foundation for Journalism at Harvard University. He is a faculty member at the University of California, Berkeley extension, a recipient of the Sigma Xi Research Award in Engineering and was a candidate for the 2008 Pulitzer Prize in Letters.

Monday
Jan112010

Nicki Minaj- Part 3: "The Difference Between Nicki and...uh.. Everyone Else"

Feelings about Nicki Minaj are very polarized: either you love her (or just really like to look at her) or you hate her. I don't think she's bad or the anti-Christ of Hip Hop. I respect the grind. I recognize the inner workings of the industry in who she is. Nicki is not the first or the last formulated artist. Let's not forget how very different the "Pon Da Replay"-Rihanna is from today's pop-fashionista. Homegirl went from coconut to Coco Chanel in two albums, and as annoying as her nasal voice is, she's got the world's attention and eardrums.

BeforeAfter
A lot of hate comes from other artists, many of them the underground independants that can't understand for the life of them why labels won't invest millions of dollars into making them stars. "I'm dope. I can actually sing/rap/dance/play/shuck & jive/etc, too. Why not meeeee???" Sadly, the people with the deepest wallets are rarely music experts...they are businessmen. They are marketers, and marketers  play on generalizations, sterotypes, and trends and invest in brands. Many indie artists do not consider the kind of brand they're putting out for themselves. If you were just your music, then we'd have no need to see your face. You are a PACKAGE. Your story, your look, AND your unique contribution to the music world is what will separate you from shorty that can spit a few bars and homeboy that can sing a mean falsetto. There are a billion talented artists out there with amazing music. Why should a company take a risk on you? What audience are you targeting that you KNOW will bring the highest level of success for YOU? What holes are there in the industry that need to be filled? Amidst the shiny-suit and flossy late 90s- early 2000s, DMX filled in the need for something more agressive and street. Ciara took over from where the late, lovely Aaliyah left off with her edgy music and fluid dancing skills. In the same breath, think about what makes you different because too much homogeneity results in one-hit wonders and 'oh-shoot-you're-still-around?' stars (Lloyd, Christina Milian, Mandy Moore). Do your image (your style, personality, attire, story) make you relatable, desirable, or someone your audience would want to be? Jill Scott is not a fashion model, but many admire her positivity and realness. This goes deeper than just being a cool chick with lyrics. Would I want to see you on a billboard or red carpet? I'm not saying my female artists need to be naked but you have to have enough individual style to make someone want your poster.

These are the things that a lot of artists don't get and then get mad when Def Jam or Universal aren't beating down their doors. Labels want to invest in someone that makes "sense," someone that will logically, not just musically, be a hit. They are barely making money as it is, so they're getting pickier by the year. It is sad that talent alone doesn't cut it, even though many of the greats were once told by execs that they didn't have what it takes to be successful (Brandy, Biggie, Alicia Keys, and shoot, even I myself have heard that I'm not "pretty enough" to make it). You can't let label BS get you down when you know in your heart this is what you were called to do. There are exceptions to the rule, and there are other ways to break down the platinum door of the industry- most require you to do it without them a la Drake. But don't throw the baby out with the bathwater. In general, music is communication. How do you communicate in your lyrics, music, body language, image, and message to make the most impact?

Artists like Nicki Minaj are products of that methodology. Do we hate on them for using what they have to get them where they need to be? I believe there is much to be learned from her, from Souljah Boy, and the other artists that are criticized for being gimmicky or basic in their image and music. When you hear a smash single, ask yourself WHY it's a hit. I don't really want Nicki Minaj marketed to my teenage nieces any more than my mom wanted me listening to Foxy Brown's "Ill Nana" or Lil' Kim's "Hardcore." But I know better than to hate the playa. I understand the game.

Saturday
Jan092010

An 11 year old's speech on the use of the 'N' word...(Video)

I know I'm usually hella late with stuff, but I figured if I haven't seen it, maybe you haven't either. Here's an amazing speech from an 11 yr old boy named Johnathan McCoy on the use of the 'N' word. Simply amazing!

Thursday
Jan072010

Nicki Minaj- Part 2: "The Bird Brand" and The "Queen Bee"

"I'm sayin tho.' Like dez chics be actin lik' dey kno me an whatnot. Like, yo, fa real tho."

Why does Nicki Minaj even exist in today's music world? I mean, she is selling Birdism (yes, I made up another word), and lyrically she can't hold a candle to a Rah Digga or a Jean Grae. What does it take to make a successful female Hip Hop artist, since obvious lyrical prowess is not a sole determining factor?

Nicki Minaj is not a freak accident that slipped into the pages of Vibe magazine. She's right; she literally is Barbie.. a marketing creation.

Courtesy of http://messdressed.com

Ms. Minaj is frequently compared to Lil Kim, who built her empire on taking freaky and labeling it feminism. She was hella viral and, hate her or love her, her name was/is on every tongue when women in rap music are mentioned. However, her major supporters from 1990s are now older & middle class. CDs are equivalent to A-Tracks now, and adults are not the ones buying tickets to sell out concerts or downloading millions of ringtones each year. It's the teenie boppers and in-betweens who can turn a YouTube video into a hit single (as seen with The New Boyz' "Jerk"). Lil' Kim's Hardcore-ness doesn't have the attention-grabbing shock factor anymore, so what's a label to do? How do we market a new 'Lil Kim' to the 13-17 market?

Let's make her bright & colorful, make her pop her bubble gum loudly, give her a school-girl bang, buy her a push-up bra three sizes too small, get her a nose job (and alleged butt-pads/implants?), and make her personality & speech as common as the teens you see on the inner city trains at 3 o'clock. She's now the popular girl in the average hood high school, the sexy one all the boys like, the over-developed, curvy chick the grown men lust after, and the girl all teen sistas secretly wish could be. Thus we have the Bird Brand. Nicki Minaj was created in the factory of a marketer's mind, someone who saw the need for a female voice in Hip Hop and decided to train someone to play the part.

BeforeAfter 

While I do believe CAN write her own lyrics, she probably isn't anymore (just like Jay-Z did with Foxy, JD did with DaBrat, and BIG did with tha Queen B). With coaching and Lil' Wayne's Young Money co-sign allowing her to use his tried-and-proven trademarked sound (unlike Angel Lola Luv), her Remy Ma-like style became one that would separate her from the other female rappers. Some label her a sign of the impending doom of the Female Hip Hop world; I say, "Genius."

Next: The Finale!
Part 3: The Difference Between Nicki and...uh.. Everyone Else